Skip navigation


Luminosity, workshop/masterclass

During 2004 ANAT worked closely with Adelaide City Council (ACC) on the development of the Luminosity project.

2008 7 8 Aug  
The Bland Project, Performance

Gravity Research Institute (GRI)Director: Alan SchacherPerformers: Ryuichi Fujimura, Teik-Kim Pok, Ari Ehrlich, Philip MillsDesign: Alan Schacher, Sean BaconVideo: Sean BaconFilm: Michelle MahrerComposer Musician: Boris BaberkoffLighting: Sydney BouhanicheMoving screen system: Russell Emerson

Accidents For Four, Jill Scott, Performance

Accidents For Four (1976) Studio, San Francisco; Spectator performances to instructions; recorded to video. [December, 1976] Photos: Bryan Hillstrom Sponsored by the Neighbourhood Arts Foundation, San Francisco.

Accidents For One, Jill Scott, Performance

Accidents For One (1976) Performance with live video."Open Studios", South of Market Series, Neighbourhood Arts Foundation, San Francisco, USA. Camera: Mark GillilandFlute: Carla Harryman Almorative Dance (1976), 1/2” B&W, 20 mins.Video: instructions for the performance: Accidents For One. Produced at the Bay Area Video Coalition.

Boxed, Jill Scott, Performance

Boxed (1975), Performance; 80 Langton St, San Francisco. Shipping crate driven across San Francisco to 80 Langton St gallery. Scott is packed into a shipping crate which is then delivered to the gallery. On arrival she emerges from the crate with photographs she attempted to take while in transit.1

Constriction, Jill Scott, Performance

The Constriction series is a work in four manifestations Constriction Part 1 (1982), 3/4” U-matic, colour, 14 mins.

Desire The Code (1981), Jill Scott, Performance

Desire The Code (1981), 3/4” U-matic, colour. Performance installation with pre-recorded video display; atSite, Cite, Sight, Inc, San Francisco. Documentation: Mark Samuelson,Sound: Allan Scarritt and Jill Scott,Sponsors: The Bay Area Video Coalition and Site, Cite, Sight Inc. San Francisco. Also at: International Cultureel Centrum (Artist in Residence), Antwerp, Belgium.

Extremities (1978), Jill Scott, Performance

Extremities (1978). Langton Street Studio, May 1978 Performance with spectator interaction and video surveillance.

Moved (1978), Jill Scott, Performance

Moved (1978), b&w, 3/4” U-matic, stereo, 30 mins. 1 Performance at The Women’s Building, Los Angeles, USA. February, 1978.

Moved Up Moved Down (1978), Jill Scott, Performance

Moved Up Moved Down (1977-78). Artist and spectator performance task with video surveillance.Bay Area Artworks at The Women’s Building, Los Angeles, USA. March, 1978

1997 19 October  
Opening of ZKM Museum, Exhibition

ANAT assisted the Goethe Institut, Sydney in joining 20 Goethe Instituts all around the world on the internet, delivering multimedia commentaries on the human image.

Order The Underfire (1980), Jill Scott, Performance

Order The Underfire (1980) (1979?), 3/4” U-matic, colour. Performance installation with video at University of California at Davis, California, with sound from a Revolving Desert Simulator, shadow play and video stills. Photos: Mike Henderson, Funded by the Visiting Artists Program of the University of California at Davis, USA.

Out, The Back (1979), Jill Scott, Performance

Out, The Back (1979), Performance with sound generators The Franklin Furnace, New York;1Curator: Jackie ApplePhotos: Sam SchoenbaumAssistant: Larry Fox

Resistant Media, Events

In line with ANAT's commitment to developing projects which support and encourage critical discourse and dialogue, and following on from highly successful projects such as Virogenesis, CODE RED and FOLDBACK, ANAT developed a new project for 1999, titled Resistant Media.This project built on research ANAT had undertaken into tactical media...

SAND the Stimulant, Jill Scott, Video

Performance installation with closed circuit video, and sound produced with Revolving Desert Simulators (1978)  1

Strung (1975), Jill Scott, Performance

Strung (1975), Performance. Scott climbs the Golden Gate Bridge, San Francisco, with assistants and is strung to a girder. At sunset security guards release her and threaten to charge her with attempting suicide. She talks them into letting her go as “the action had everything to do with art,”...

Taped (1975), Jill Scott, Performance

Taped (1975), 1/2” B&W, Performance: Wall of a warehouse building on 9th St, San Francisco. Scott stands on a pair of tall ladders and is taped (using 2” masking tape) to the side of wall of a warehouse. She remains there until sunset.1

The Homecoming (1979), Jill Scott, Performance

The Homecoming (1978) Performance with family members. Art Department, University of Qld, Brisbane, Qld. (1 January 1979) Photos: Robert Mercer,Performers: Lance Scott, Margaret Scott, Mary-Lou Little and Scott Ramsay.

Tied (1975), Jill Scott, Performance

Tied (1975) Performance. Scott is tied to a telephone pole at 9th St, San Francisco, with a large amount of thick string. Pedestrians gathered, asking if she wished to be released but she did not answer. At sundown an “unknown woman” appeared and cut her loose.

1989 826 Aug  
Wishful Thinking, One person exhibition

Solo exhibition of video works by Jill Scott at Roslyn Oxley9 Gallery in Sydney.

1991 26 Jun13 Jul  
Bill Seaman: selected video works, One person exhibition

Selected video works and word drawings Roslyn Oxley9 Gallery

Verve: The Other Writing, seminar/forum

For the Telstra Adelaide Festival 2000, ANAT and the Contemporary Art Centre of SA, presented Verve: The Other Writing.