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True Blue, Liam Benson, Video

In True Blue, Liam Benson is dressed in a pale blue ‘hoodie’ which conceals his hair and takes on the quasi religious aspect of a cowl. Behind is an austere backdrop of panelled wood grain veneer, a material that both suggests and encompasses notions of bush, suburbs and boardroom.

Blocks, Renaud Bézy, Video

Renaud Bézy, France, Blocks, 1 min, 1999

1987 327 Sep  
2nd Australian Video Festival - Two Video Installations, Video Installation

ART GALLERY OF NEW SOUTH WALES ALAN VIZENTS, SLEEP AND AWAKE (1983) - 3-27 September 1987 4 monitor video installation DENIS DEL FAVERO AND FILEF, LINEA DI FUOCO (1987) - 31 August-4 October 1987

Ningyo, Kirsty Boyle, Single channel video work

An intimate video self-portrait of my own personal interactions and experiences with a Karakuri Ningyo (traditional Japanese mechanical doll).

Wish4[0], Mary Anne Breeze, Single channel video work

Wish4[0] is based on a poetic interpretation of the maxim “Be Careful What You Wish For”. The title of the work is a truncation – and linguistic reworking – of the idea of wish fulfilment in the digital age, one where willing users and audience members are subjected to an “always-on”...

'Messiaen at Mt Keira', Kurt Brereton, Video


Hear This, Lauren Brincat, Single channel video work

Video documentation of an action

It's a Long Way to the Top, Lauren Brincat, Single channel video work

Winner of the 2009 Helen Lempriere Travelling Art Scholarship, Artspace, Sydney.

Snare the Sea, Lauren Brincat, Single channel video work

Documentation of an action High Definition video 16:9, colour, sound

Evaporated Music 1, Philip Brophy, Video

Dolby Digital 5.1 DVD, sound, 27:00 minutes Part 1 (a) 3:57 minutesPart 1 (b) 2:57 minutesPart 1 (c) 3:31 minutesPart 1 (d) 6:09 minutesPart 1 (e) 4:24 minutesPart 1 (f) 4:28 minutes

Material Landscapes, Tim Buchanan, Video

Tim Buchanan is currently creating virtual reality environments using devices such as the oculus rift.  He begins the process by living intimately with A3 or larger scale paper material on his person for long durations (a week at the very least). After the set duration of living with the material,...

Berlin 2012, Frazer Bull-Clark, Single channel video work

Berlin 2012 is a single channel video work that presents the walls of a train station from the view of a moving train. The work is a collaboration between myself and the artist and musician Advait Thakur, who grew up in Canberra and currently resides in the United States. I...

A Guided Tour to the Caves of Uranus, Warren Burt, Video

A Guided Tour to the Caves of Uranus 1974, colour, NTSC, video and sound synthesis, 23 mins. Performed: UCSD, 1975; Immaculate Heart College, Los Angeles 1975; Clifton Hill Community Music Centre (CHCMC), Melbourne, 1976.

Danger Dance, Warren Burt, Video

 Danger Dance1978, PAL colour, sound.

Fatty Acid: The School of Cage, Warren Burt, Single channel video work

Fatty Acid: The School of Cage 1975, b&w, NTSC. Performed: UCSD, 1975; documentary video tape in collaboration with Ronald Al Robboy and David Dunn, camera work by Ed Emshwiller, 45 mins.

Nighthawk, Warren Burt, Video

Nighthawk 1972-76, videotape, 4 channel tape, slides, and live performer. Solo opera, 3 ½ hours.

Salt 81:80:63, Warren Burt, Video

Salt 81:80:631978, color PAL modified live video and synthesized sound. A realization of Alvin Lucier's "Queen of the South" perf. La Trobe Uni 1979 (6 mins)

Searching for Echoes at Launching Place, Warren Burt, Video

Searching for Echoes at Launching Place1978, colour, sound, u-Matic videotape, 20 mins.

Shadowdrum, Warren Burt, Video

Shadowdrum 1977, colour, PAL, modified live video and timpani.Collaboration with John McCaughey, tape performed at:La Trobe Uni. 1978 (20 mins) (Available format: ¾ inch PAL U-matic master)

Slogans & Abstracts, Warren Burt, Video

Slogans and Abstracts 1992, computer animation and music-videotape, or live computer with EGA colour monitor and EMU Proteus synthesizer.

Two Nocturnals- A-3:5:9 and B-4:6:7, Warren Burt, Video

Colour, PAL, video and sound synthesis tapes, 37 mins and 38 mins. Performed: Melbourne, 1977; La Trobe Uni, 1978; Sydney, 1979; Venice Biennale, 1980; New Music America Festival, Hartford, 1984

Very Smart Microbes, Warren Burt, Single channel video work

colour, NTSC, video and sound synthesis, 25 mins. Performed: UCSD 1975, CHCMC, Melbourne, 1976.

1979 Animals, Peter Callas, Video Installation

dual screen installation with drawings, 1984Roslyn Oxley Gallery Sydney (1984); “Correspondences” University Gallery Hobart (1984) A series of drawings from 1979 (when I was living in the Shepherd & Newman Warehouse in Darlinghurst, Sydney) are reworked as video imagery through a series of negative/positive video mattes and wipes. The same set...

A Burning Church, Peter Callas, Video Installation

installation incorporating video, 1986“Ohya Underground” Ohya Quarry, Utsonomiya, Japan (1986) A small field monitor was placed on a menhir-like structure built of three pieces of quarried stone in the cavernous space of the Utsonomiya quarry near Nikko, Japan. The looped hand-drawn imagery, which is CVI-generated, is of figures fleeing a burning...