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Jacqueline Millner

From UWS website:

Dr Jacqueline Millner lectures in art history and visual culture, and has a background that combines studies and practice in law, politics, visual arts, and art history and theory. She has published widely on contemporary Australian and international art in key anthologies, journals and catalogues of flagship national institutions including the Museum of Contemporary Art, Sydney, the Queensland Art Gallery and the Art Gallery of NSW (AGNSW).

She was visual arts editor for the national arts broadsheet RealTime, as well as guest editing supplements and special issues of leading arts journals. She is a regular participant and guest speaker in symposia on contemporary art at institutions such as Artspace Visual Arts Centre, Sydney and AGNSW. She has also participated in exhibitions as a curator and artist, and worked both in art history departments and in practice-based environments, including a design school.

Awards, collections 
• 2008: Research residency, Cité Internationale des Arts, Paris, Power Institute of Fine Arts, University of Sydney. • 1997/2004: Australian Postgraduate Award.


• Conceptual Beauty: Writings on Australian contemporary art 1994-2009, Artspace Publications, 2010

Book chapters

• 2010: ‘Australian video art in the 1980s’, in Matthew Perkins and Elena Galimberti (eds.), Video Void: Australian video art 1970-2010, Melbourne: Monash University, forthcoming

• 2009: ‘Ben Quilty and the emotional eloquence of painting’, in Lisa Slade (ed.), Ben Quilty, Brisbane: Piper Press.

• 2008: ‘Australian Video Art’, in Russell Storer (ed.), Video Logic, Sydney: Museum of Contemporary Art.

• 2007: ‘Articulating the Unspeakable: The Feminist Photography of Julie Rrrap and Anne Ferran’, in Julie Ewington et al (eds.) Brought to Light II : Contemporary Australian Art 1966-2006, Brisbane: QAG.

• 2004, ‘Storytelling’, in R.Butler & J.Millner (eds), Critical Interventions: Biennale of Sydney, Sydney: Artspace Publications.

• 2002 ‘Tongue Traces’, in Eugenia Raskopoulos, Sydney: Artspace Publications.

• 2001: ‘David Noonan: Video Works’, in B. Genocchio & A. Geczy (eds) What is Installation? Australian installation art, Sydney: Power Publications.

• 2001: ‘Community: Thinking through Cultural Politics’, in B. Buckley & J. Conomos, (eds), Republics of Ideas, Sydney: Pluto Press/Artspace.

• 1999: ‘Home and the World: Beyond the Politics of Difference’, in Blair French (ed),Photofiles: An Australian Photography Reader, Sydney: Power Publications.

• 1999: ‘Cruising with a Feminist Paradigm in Tow’, in Joan Kerr & Jo Holder (eds),Past/Present: The National Women’s Art Exhibition, Sydney: Craftsman House.

• 1999: ‘Perspective on Perspecta’, in Martin Thomas (ed), Uncertain Ground: Essays Between Art and Nature, Sydney: AGNSW.

Journal articles

• 2009: ‘Visual poetics: the critical impulse in street art from Paris to Melbourne’, International Journal of the Arts in Society, Vol 4 No 3

• 2007: ‘Home Video: Australian pioneers and their contemporary legacy’, Art & Australia Vol 45 No 2 Summer 2007.

• 2007: ‘The Afterlife of images: Interview with Isaac Julien’, Art & Australia, Vol 45 No 2 Summer 2007.

• 2004: ‘Complex Entanglements: Art, Globalisation and Cultural Difference’ Review, Australia and New Zealand Journal of Art, Vol 5.

• 2002: ‘Curating Australia for the Centenary of Federation’ in P.Alberts & J.Millner (eds), Special Issue of Continuum Journal of Media and Cultural Studies: UnAustralian Activities, May.